Sun 26.01.20

The Sound Of The Belgian Underground 2020

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The good stuff growing between the toes of our music scene

Free for subbacultcha members!

'The mainstream comes to you, but you have to go to the underground!' - Frank Zappa

New Year, new music? Sounds like a poorly titled Spotify playlist of a distant future, but time flies and in a few months you might want some fresh finds to wipe the remains of Christmas dinners and New Year’s headaches away with. We got you covered. Every two years in January Subbacultcha and Ancienne Belgique organize ‘The Sound Of The Belgian Underground’. As an independent platform venturing into the outskirts of alternative music and arts, Subbacultcha is devoted to the niche, providing its members a curated agenda, an editorial magazine and tons of fresh content online.

January 26 2020 marks the fourth edition of our party of what’s secretly gathering underneath the surface. Subbacultcha and Ancienne Belgique will present nine national acts that value artistic freedom above a broader audience.

Partners
Partners is the audio-visual handshake of Femke Fredrix and James de Graef. Faust was their first release, named after their cat. It explored the dynamics between human and animal. In new album City of Freaks Partners dig into who we really are when, together with the daylight, our masks disappear. They are afraid in the dark, and maybe you should be too.

Grid Ravage (Yves De Mey trio)
Synthesist and sound engineer Yves De Mey has been around since the 90s, when he was a drum'n'bass producer, and adopted different monikers along the way. He got into experimental electronics, makes sound installations, scores performances and films ànd runs a label. The outcome of his recent techno project Grey Branches might be called ‘non-functional’, the adjective most certainly doesn’t apply to him.

Old Painless
Old Painless named himself after the minigun of sergeant Blain Cooper in sci-fi film series The Predator, yet also likes to take pictures with cute little baby goats. His noise-hop is a bit like Yami-kawaii, the Japanese ‘gothic-cute’ fashion style: it can be as dark and brutal as it is sensitive.

 

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